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"Curated by Heba El Kayal, El Marsam: Modern and Contemporary Art from Egypt explores the origins and evolution of the Egyptian modern art movement and its lasting influence on contemporary artistic practice in Egypt and across the Egyptian diaspora today."

"Edra Soto's video Happy Hour, La Hora Feliz (2020) is on view in Imagining an Archipelago: Art from Cuba, Guam, the Philippines, Puerto Rico, and Their Diasporas at the Colby College Museum of Art, an exhibition connecting generations across oceans exploring artists' relationships to the histories and communities of their lands and seas. In Soto's video, which was produced in collaboration with Jose Luis Benavides, John H. Guevara, and Sadie Woods, the artist prepares hors d'oeuvres and cocktails to the soundtrack of upbeat salsa music and reggaetón. While Soto upends cans of SPAM and Cheez Whiz into a blender, scrolling text beneath the action provides an explanation for Puerto Rico's agricultural decline and reliance on imported, ultra-processed food from the United States common in the everyday Puerto Rican diet, served up alongside music history trivia."

"June 27 – November 29, 2026 Sherin Guirguis’ sculpture, Mashrabiya (2009) will be on view in the recently opened Hossein Afshar Galleries for Art of the Islamic Worlds at the Museum of Fine Arts, Houston. In traditional Arabic and Islamic architecture, the mashrabiya is an intricate, latticed wooden window screen designed to let in air and light while shielding women in the domestic sphere from the public gaze. For Guirguis, the mashrabiya serves as a vital conceptual metaphor and formal device to explore intersectional feminism, cultural displacement, and the boundaries between public and private space. Guirguis replicates mashrabiya latticework to highlight the "visible absence" of the female body in public history. By carving these patterns into her art, she converts a mechanism of domestic confinement into an active site of feminist critique."

"Taking its name from an installation by artist Daniel Joseph Martinez re-creating Ted Kaczynski’s cabin—a hand-built, off-grid structure symbolizing the violence that isolation and exclusion can produce—The House America Built examines how artists challenge structures or notions of power that erase specific human stories. Spanning drawing, photography, video, sculpture, and mixed media, the works on view chart histories personal and universal, local and global, to reveal how different lived realities of marginalization are obscured by the systems, places, or processes that determine how power is constructed."

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