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"Chelsea Wolfe – The Dark words by Pam Grossman and Hannah Ewens"

"Like the moon, Chelsea Wolfe’s luminous music has illuminated the lives of her fans through various phases. For almost 20 years, she has reflected the precise amount of light needed to guide them on their paths. Her ninth studio album, more so than ever, gives reassurance that there is no need to worry if they find themselves in a time where they don’t know where to turn. Instead, The Dark makes a conscious decision to lean into the mystery. To stop and be still and honor any tenebrous surroundings. Each of its 10 spellbinding songs blends into the last, reminding the listener that sometimes comfort comes from embracing the unknown."

"Wolfe’s work has always felt fascinatingly fluid, running between gothic rock, doom metal, industrial, folk, and sometimes even pop melodies. Through the past decade, her critically acclaimed magic has begun to echo through the work of a new generation of artists. Whether it was the lo-fi dread of 2010’s The Grime and the Glow, the sleep-paralysis nightmares of 2015’s Abyss, or the industrial pang of 2017’s Hiss Spun, her experimentations make sense. It’s always Chelsea at the heart of things, walking the same dark fields with a different lantern."

"Ahead of Wolfe’s last album, She Reaches Out to She Reaches Out to She, she was in a place of newness. In retrospect, she was “a bit naive,” riding the high of having made life changes, including getting sober. But by the end of that release cycle, she found herself unhappy, going through the motions. “I felt I was putting on an old version of myself over and over, living for others rather than my own desires,” she reflects from her home in Northern California. This led to more difficult decisions, all related to letting go: saying goodbye to various relationships, aspects of identity, and perhaps most importantly, patterns of self-abandonment."

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