Liminalities Domain Overview🔒 SSL Verified

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"Issue 22.1 [published 15 July 2026] is a general issue featuring essays, projects, performance reviews, book reviews, and contributions to the performance & pedagogy and the performance wunderkammer series. Issue 21.5 [published 27 December 2025] is a general issue featuring essays, projects, and contributions to aftermaths, the city, and the performance wunderkammer series. Issue 21.4 [published 19 August 2025] is a special issue on "Performance Praxis in Carceral Spaces," edited by Kamran Afary, Greg Langner, and Allen Burnett. It features video and essay works about art and education in prison settings. Issue 21.3 [published 7 July 2025] is a special issue on "Corporeal Migration and Performance," edited by Myron M. Beasley and Anwar Uhuru. It features works on dance, photography, hip-hop, place, time, and politics, as well as a section of critical responses devoted to Wideman Davis Dance's production Migratuse Ataraxia. Issue 21.2 [published 11 November 2025] is a special issue on "Flamenco as Decolonial Praxis: Bodies, Senses, Memories" | "Lo flamenco como praxis decolonial: cuerpos, sentidos, memorias," edited by Carlos van Tongren and Pedro Ordoñez Eslava. Issue 21.1 [published 29 May 2025] is a special issue on "The Non-Human Irresistible: The Poetics of Portals, Ports and Shorelines, from Cork and Merseyside," edited by Cornelia Gräbner and Eleanor Rees. It features a poetry event video, a conversation, essays, and lyric essays. Issue 20.4 [published December 2024] is a general issue featuring contributions to The City series (on city resilience, stories of the great migration, and Finnish cultural mores), a large collaborative performance project resulting in a music album, a documentary video about a murdered drag performer, an audio project about near death experience, and several critical essays on Roma communities, Bread and Puppet Theatre, online dating, Barbie, and a decolonial critique of Bertolt Brecht. Issue 20.3 [published 15 April 2024] is a special issue on the Digital Performance of Literature. Contributions include six videos, a mobile-based 360° video experience, and an interactive multimedia performance installation. Issues 20.1-2 [published 4 August 2024] is a double issue featuring a forum on punk impressions; a performance about health narrative; an ethnographic performance installation about afrofuturism and vernacular technologies; a performance installation about madness and disability for The City series; two essays about our lives with animals; essays about rhetorical Blackness, indigenous representation, competitive rock climbing, and anarchic gameplay; as well as two book reviews. Issue 19.2 [published 15 December 2023] is a general issue featuring a forum on pedagogy during a time of fascism; essays on object-oriented performance, COVID-19 masks, and actor training; two poetry contributions to The Performance Wunderkammer series, and the announcement of a new series called Aftermaths. Issue 19.1 [published 20 May 2023] is a general issue featuring essays on noise performance, mediums, collective installation art, suicide, family stories, video gaming, and a book review. Issue 18.4 [published 14 November 2022] is a general issue featuring a forum on family stories, three video essays, a contribution to The City series, and three essays. Issue 18.3 [published 20 October 2022] is a special issue on "Performance in the wake | Cuerpas ante lo político" organized by the collaborative research group of the same name. The group works on the assumption that contemporary political performance revises the concepts of the political we inherit, including those revivified in recent debates around post-politics, post-race, and post-memory. The articles of the special issue engage with Ibero-American and Caribbean performances and their revisions of political concepts like avant-garde, strike, nation, borders, author/authorship, and identity, among others. Número 18.3 es un número especial titulado "Performance in the wake | Cuerpas ante lo político" y compilado por un grupo de investigación colaborativa del mismo nombre. El grupo asume que las performances políticas contemporáneas revisan los conceptos políticos que heredamos, inclusive los resucitados en debates recientes sobre post-política, post-race, y post-memoria. Los artículos del número especial dialogan con performances ibero-americanas y caribeñas y sus particulares revisiones de conceptos políticos como vanguardia, huelga, nación, fronteras, autoridad, e identidad, entre otros. Issue 18.2 [published 16 August 2022] is a general issue featuring seven essays, three performances with artist statements and response essays, an interview, a video installation, and a book review. Issue 18.1 [published 9 January 2022] is a special issue, "Performance and Politics, Power and Protest," edited by Sonja Kleij (Radboud University, Nijmegen) and Kayla Rush (Dublin City University). It features essays examining performance and politics from historical and contemporary perspectives. Issue 17.1-2 is a double issue featuring sections on sound, on criticism and critique, on performance in practice, and on autoethnographic essays, in addition to a book review. Issue 16.4 is a general issue packed full of essays, perfomance praxis, interviews, reviews, multimedia content, and contributions to Digital Horizons and The City. Issue 16.3 features essays on the National Lynching Memorial, Tunisian performance art, Charles Mingus, White apathy and racism at an American university, familiy stories of death and dying, movie riffing, the Queer death drive, community theaters and urban planning, and using vaporwave music for pedagogy. There's a digital storytelling game about motherhood and zombies. There's a one-person show about growing up gay in the latchkey generation. There are two video performances and four book reviews. Issue 16.2 is a special issue, "Terror on Tour: Borders, Detours, and Contingencies," edited by Paul Antick (London) and Ariane de Waal (Halle-Wittenberg). It features essays, an installation, a soundscape, and a video of a performance. Issue 16.1 features essays on sound and remembrance, Iranian women's rap, audience feedback loops, gallery protests, divided authority, rasic space, spoken word performance, a photo essay, three essays on narrating selves, and a book review. Issue 15.4 is a special issue on digital storytelling for women of color. Issue 15.3 is a special issue on humanistic, critical, and performative approaches to Modern Monetary Theory. Issue 15.2 is a special issue about the history of Malaga Island, Maine, and is focussed on a performance event from July 2018 that served as a public memorial via a site-specific installation of a repast meal. The issue contains 15 essays from diverse perspectives, a photo essay, an audio interview, and a video of the performance. Issue 15.1 features contributions to the digital horizons and city series and a wide range of essays and performance works. Issue 14.4 is a general issue that features a wide array of theoretical, critical, ethnographic, and aesthetic contributions. Issue 14.3 is a special issue on on Performative Commemoration of Painful Pasts, edited by Tanja Schult. The issue grew out of an international conference of the same name held at Stockholm University in June 2016. The issue features fourteen essays from a diverse set of scholars and artists. Issue 14.2 is a special issue on the Video Essay, edited by David P. Terry. The issue is a follow-up to Liminalities 13.1, which is a collection of video essays and a monograph on performance and video by Paul Edwards. The current issue explores some of the contours of this emerging form expression and inquiry."

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