Welcome to the detailed analysis for guitarseminars.com. This domain is officially recognized as International Guitar Seminars — The Acoustic Blues and Slide Guitar Workshop. According to their official web presence, their primary focus is: "An archive of International Guitar Seminars, the acoustic blues, slide and fingerstyle guitar workshop founded in 1999 by Bob Brozman and Woody Mann.".
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As of August 19, 2026, guitarseminars.com holds an estimated domain authority score of 93/100 based on our VisitRank tracking algorithms.
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"For most of a decade, a week each summer, guitarists from a dozen countries carried their cases onto a university campus and did almost nothing but play. International Guitar Seminars — IGS — was an acoustic blues, slide and fingerstyle workshop founded in 1999 by Bob Brozman and Woody Mann, with Trevor Laurence as its managing director. This site is the surviving record of it."
"The seminars are over. Both founders have died — Bob Brozman in 2013, Woody Mann in 2022 — and no session has been held since the mid-2000s. What follows is not an announcement and nothing here is for sale. It is an archive: the class descriptions, the daily programme, the questions students asked before they came, the letters they sent afterwards, and the roster of players who taught."
"The first session of the Acoustic Blues and Slide Workshop was held in June 1999 in New York City, at Columbia University in upper Manhattan. A second session followed that August at the University of California, Santa Cruz. Later years added San Rafael, California, and Seattle University in Washington. The core faculty at the outset was Woody Mann, Bob Brozman, Martin Simpson and John Cephas — in the site's own words, "all master players, performers, recording artists, writers and teachers who bring years of experience in sharing their knowledge of blues guitar and presenting it in a clear and direct manner.""
"What set the week apart from the broader guitar-camp circuit was how narrow it was. IGS did not try to cover everything with a string on it. It focused on the many facets of finger-style acoustic blues and slide guitar: the Mississippi Delta style of Charlie Patton, the ragtime stylings of Blind Blake, the jazz-influenced playing of Lonnie Johnson, the bottleneck of Blind Willie Johnson and Kokomo Arnold, and the Hawaiian slide styles. You can read the full repertoire the classes drew on and the tunings and slide technique that carried it."
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