Welcome to the detailed analysis for carliergebauer.com. This domain is officially recognized as Current - carlier | gebauer. According to their official web presence, their primary focus is: "Founded in 1991 and directed by Marie-Blanche Carlier and Ulrich Gebauer, the gallery promotes international contemporary art and currently represents over 30 international artists.".
"We are pleased to announce Abdulhamid Kircher’s solo exhibition Rotting from Within, at Deichtorhallen Hamburg, opening Thursday, 4 June, from 8 pm. The exhibition Rotting from Within welcomes visitors with a sprawling panorama of photographs, texts, and archival material. The newly developed installation, 9 meters wide and more than 2 meters high, interweaves scenes, encounters, and farewells between Berlin and Turkey, through which the dynamics of a father-son relationship gradually emerge, like pieces of a puzzle coming together. In this presentation, Abdulhamid Kircher also expands the focus surrounding his late paternal grandfather. The father-son constellations in the photographs speak of loneliness, addiction, violence, and injury, but also of rapprochement, intoxication, touch, and grief. Kircher’s visual language – vibrant colours, high-contrast lighting moods and emotional frequencies – intensifies the immediacy and vulnerability of his subjects. The darkroom becomes a space of reflection and experience in which memories, relationships, and personal stories come to light. Accompanying the exhibition as part of the 9th Triennial of Photography, an accordion-fold booklet will be published featuring image sequences from Abdulhamid Kircher’s family archive and works from the series Rotting from Within, as well as a text by Nadine Isabelle Henrich. Curated by Nadine Isabelle Henrich, curator at the House of Photography. Curatorial assistance: Viktoria Rochambeau, curatorial trainee, House of Photography."
"Maria Taniguchi: Afterimage is the first monographic exhibition of the acclaimed artist presented by a Singapore museum. Taking its title from visual sensations that linger in a viewer’s field of vision, Afterimage highlights recurring concerns that run through Taniguchi’s practice, including repetition, time, and labour. The exhibition is anchored by Taniguchi’s brick paintings (2008–ongoing), which are made by individually filling hand-drawn rectangular cells. The subtle shifts in colour that accumulate document the days, weeks, or months devoted to each painting reflecting the time and effort required to make them. Untitled and unnumbered, Taniguchi’s brick paintings are best understood as individual parts of a single artwork that continues to grow with each new painting. Alongside these towering canvases, Afterimage presents a new version of Runaways, a series of wooden sculptures made up of straight lines and circles that function as three-dimensional drawings floating in the gallery. Carved from the wood of Java plum trees, known in the Philippines as duhat, the sculptures carry deeply personal associations of the artist’s mother who craved the fruit while pregnant. Four video works made between 2010–2026 demonstrate the development of Taniguchi’s relationship to space and materials. Key amongst these is a newly commissioned video, A painter, if black were a place (2026), which juxtaposes pixelated digital photos with fields of black painted by Taniguchi, inserting her subtle painterly style alongside images of her mother’s home, garden, and symbolic paintings. Together, these videos deploy the framing device of the camera and the screen to suggest our limited views of history, memory, labour, and the legacy of modernism."
By comparing carliergebauer.com to other leading websites in its niche, marketers and researchers can identify key traffic sources and growth opportunities. Explore our related resources below to find websites similar to carliergebauer.com.
Yes, according to our latest analysis, we detected a valid SSL certificate ensuring a secure connection.
As of September 17, 2026, carliergebauer.com holds an estimated domain authority score of 44/100 based on our VisitRank tracking algorithms.
You can find the best alternatives and similar sites to carliergebauer.com in our explore section, which includes competitors in the E-commerce & Retail sector.
Common Misspellings & Typo Domains for carliergebauer.com:
"Manifesta 16 takes place in four cities across the Ruhr Area – Duisburg, Essen, Gelsenkirchen and Bochum. Former and under-used church buildings will be transformed into cultural and community hub, where Manifesta 16 will present events, workshops, exhibitions and site-specific artistic commissions and installations. After decades of secularisation, churches in the Ruhr Area are now closing on a weekly basis, often then purchased by profit-hungry developers or left slowly to decay. These landmarks, once central to neighbourhood life for many, have become symbols of our diminished public realm: of social atomisation and the loss of collective experience. Manifesta 16 Ruhr takes place in and around a selection of the churches and responds to their situation. It asks: what can we do with these buildings? What is their meaning? How might they be preserved as social spaces? Can they contribute to the formation of a more just society? The artistic programme has been developed by an inter-disciplinary artistic team, composed of eight Creative Mediators: Josep Bohigas, Gürsoy Doğtaş and three intergenerational tandems — Michael Kurtz & Henry Meyric Hughes, René Block & Leonie Herweg, and Krzystof Kosciuczuk & Anda Rottenberg."
"With Kairos / Hauntological Variations, the work of Julie Mehretu makes its first ever appearance in Poland. In the show’s title, the ancient Greek notion of kairos—a critical turning point—accompanies Derrida’s hauntology—a state where the present is haunted by ghosts of an unresolved past. Mehretu’s work reimagines the legacy of American Abstract Expressionism, establishing her as one of the most influential artists of our time—making an impact in contemporary painting for more than two decades now. Her compositions draw on maps, poetry and literature, music and art history, and most recently, press photography and sociopolitical events; these varied sources act as intellectual and compositional points of departure for her practice in painting, drawing, and experimental printmaking. The exhibition is comprehensive, bringing pieces from different periods to Warsaw: from the analytical diagrams of the late 1990s to drawings and watercolours as well as works on paper and mylar dating to the 2000s, to the most recent, grand paintings whose dense layering acts as a seismographic record of today’s global tensions—all displayed in a way that provides deeper insight into the artist’s practice."