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• ↓ An online magazine dedicated to the interactions between the arts, sciences and consciousness.
• ↓ Issue 96 June 2026
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"‘Visualizing the Invisible: Resonance, Water and Light as Photographic Event’ traces a four decade investigation into photography as physical event rather than descriptive mechanism. Spanning the caustic works of the Vanitas, Glass and Ophelia series through to the recent Cymatic Water + Light body of work, this essay proposes that invisible forces — resonance, pressure, frequency, surface tension — do not require invention. They require conditions through which they become legible. Working exclusively in analogue process, Alexander James Hamilton constructs systems in which frequency, liquid and light are brought into controlled relation. The resulting photographs are not representations of these forces but their material consequence. Authorship, in this context, is not diminished through physical process. It is intensified by it."

"Claire Morgan is a UK-based Irish artist. She concluded a 3-month residency at Stiftung Bartels Fondation, Basel, with a solo exhibition, ‘Choke’ (14 – 21 June 2026). Coinciding with Basel’s international art week, this artist-initiated presentation of deeply intimate new work marks a profound evolution in her practice, stepping back from the scale of her signature suspended installations to embrace an intensely personal, visceral vulnerability."

"Tom Liggett is a London-based artist and final-year BA (Hons) Photography student at Arts University Bournemouth. His practice operates at the intersection of photography and science, investigating how invisible forces such as radiation, oxidation and electrical discharge can generate images beyond the limits of conventional photographic processes."

"Claude E. Gagna, Ph.D., is a Professor of Biological Sciences at the New York Institute of Technology. His research focuses on the structure and function of DNA and RNA, including noncanonical (unusual) nucleic acid conformations in biological tissues. In parallel, he develops interdisciplinary bioart. ‘Biological DNA Art: Beauty is in the Eye that is Beheld (Bulbus Oculi)’, is a series of mixed-media works developed as an ongoing experimental and archival practice, focused on stabilizing and integrating non-human eye globes and purified DNA from multiple species within acrylic composite matrices on canvas supports. The work is conceived not only as visual art, but as a form of biopreservation and experimental archive, in which biological materials are maintained with consideration for long-term molecular integrity and the potential for future retrieval. It also engages in an evolutionary framework, bringing together biological materials from multiple species to reflect shared structural origins and divergence across life. The work emerges from laboratory-derived, peer-reviewed methodologies adapted for artistic production, raising questions about the boundary between preserved scientific specimens and visual artifacts."

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An online magazine dedicated to the interactions between the arts, sciences and consciousness.

Issue 96 June 2026