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"In the summer of 1920, Carrie Chapman Catt and countless other suffragists marched to Tennessee. They needed 36 states to ratify the 19th Amendment to the United States Constitution, and this was their final hope. As president of the National American Woman Suffrage Association, Carrie knew what was at stake. She had devoted her entire life to the cause. But a crisis was upon them. Against the backdrop of a war, a pandemic, poverty and lack of access to education, the movement never gave up the fight."

"In 1916, Carrie Chapman Catt declared to a crowd of women’s suffragists that the world was in crisis – and it was time to turn that crisis into victory. “The Woman's Hour has struck,” she announced. In All My Friends, the new album from Aoife O’Donovan, her message is amplified until it reverberates into a new millennium. While O’Donovan has never considered herself a political songwriter, her new album testifies to her belief in the power of the vote. “We are so lucky to live in a democracy,” says O’Donovan, “and we have to participate in it. Just like stopping at a red light or being a good neighbor, voting is our responsibility as citizens.”"

"The nine tracks on All My Friends build a rich, expansive sound upon the singer-songwriter’s harmonious and contemplative trademark style. Conceived and recorded as an orchestral venture, the album’s ambitious scale and anthemic quality reflects its themes, with songs inspired by the life and mission of Chapman Catt, whose work O’Donovan discovered in 2019. A commission to celebrate the centenary of the 19th amendment, which first granted American women the right to vote, led O’Donovan to Chapman Catt’s letters and speeches, whose words, she says, “felt timeless”. Some of the suffragist’s oratory is incorporated verbatim in the lyrics, including the evergreen question: “What is the democracy for which the world is battling?”"

"The album’s titular track memorializes the Tennessee summer of 1920, when voices for and against suffragism battled bitterly over the final state signatory needed to ratify the amendment. O’Donovan’s solo voice sings the first line like a clarion call, before a trumpet and trombone enter with harmonies so sonorous you could easily mistake them for additional voices. When they themselves give way to the humming of a girls’ choir, the stage is shimmeringly set: we’re hearing the sound of the march that women young and old are still walking together today. The voices are those of the San Francisco Girls’ Chorus, whose singers are aged 12 to 18; O’Donovan had long wanted to work with the group, and they feature on four separate tracks. The horn section which appears throughout the album is brass quartet The Westerlies, whom the songwriter found an instant musical connection with when they shared a gig in Boston last year."

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